Stories
that move.
Film / Edit / Produce
Dominic Smith
Filmmaker, Editor & Creative Director Emmy-winning · 20 years of films, motion and websites Documentary · Animation · Brand · Websites Portsmouth, NH · Moving to the Pacific Northwest
I make films about hard-to-film things: AI, science, robots and wild places. I direct, shoot, cut, animate and score them, then build the websites and tools they live on.
Emmy-winning work for The New York Times, PBS NOVA, Scientific American, Snapchat and Skydio. Equally happy in a wildfire zone, an edit suite at 2am, or a stylesheet that's being difficult.
The whole film,
one person.
Most projects need six specialists and a meeting. This is the other option.
Most projects need a director, a shooter, an editor, an animator, a composer and someone to make the website, plus a meeting so they can all disagree. I never could pick one of those jobs, so I learned them all. It sounds like a boast; it's more of a confession. But it means the film, the graphics and the website feel like one person made them, because one did.
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01 / 06
Story first
I care about the story more than anything else, and a few Emmy, Telly and Webby juries seem to agree. Gene editing, giant trees, nuclear silos: whatever the subject, I want it clear, true and worth somebody's evening.
↳ Documentary & journalism -
02 / 06
The camera
Explosive-disposal fields, kelp forests, fire-scarred groves, rooftop gigs and broadcast studios. I've filmed in most places a camera can go, and a few where it probably shouldn't.
↳ Cinematography & field production -
03 / 06
Motion & music
CRISPR, Huntington's, stolen catalytic converters and 3D cities in Unreal. If it's too small, too big or too abstract to film, I animate it, and quite often write the music too.
↳ Animation, 3D & original scores -
04 / 06
Websites
Before films, I spent years as a front-end developer, and I never really stopped. I design the sites my stories end up living on, from a nuclear-missile investigation to a bike documentary with its own map. Good CSS is one of life's small, private joys.
↳ Web design & front-end -
05 / 06
Crews & teams
I grew a two-person shop into a roster of producers, shooters and animators across a few continents. My management style: hire people who are better than me, then mostly stay out of their way.
↳ Teams, freelancers & post -
06 / 06
Paying for it
Brand films for Skydio, GORUCK and Hipcamp pay the bills; the journalism keeps me honest. I've done plenty of both, and I know exactly where the line between them sits.
↳ Brand & commercial work
making things
take a shortlist
(the hard part)
I've designed
Selected work
The Evidence.
Every film here was directed, shot, cut, scored or animated by me, often all five at once. Tap a title for the story behind it.
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02
NOVA: AugmentedEmmy Nominee
PBS NOVA · Emmy Nominee
Producer · Co-Editor · Co-DP · Motion Graphics
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03
Who Gets a Ventilator?Emmy Nominee
The New York Times · Emmy Nominee
Director · Animator · Editor · Original Music
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04
The Carbon CageTelly Winner
Scientific American · Telly Winner
Director · Art Direction · Animation · Original Music
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05
GuardiansWebby Honoree
Webby Honoree · Sustainability
Director · DP · Editor
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06
Drones Hunting LandminesPulitzer Grant
Pulitzer Center · Scientific American
Director · Producer · DP · Editor
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07
a16z Bio + Health Series
a16z · Video Podcast
Post Supervisor · Editor · Motion Designer
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08
PBS NewsHour: Clearing the Path
PBS NewsHour · Pulitzer Center
Director · Producer · DP · Editor
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09
The Vanishing Forest
Pulitzer Center
Director · DP · Editor
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10
Good Fire
Inside Climate News
Director · DP · Editor
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11
CRISPR ExplainedOJA · Explanatory
STAT News · OJA
Writer · Director · Producer · Designer · Animator
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12
Why Do Some Health Care Workers Live in Poverty?
NYT Opinion
Director · DP · Editor
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13
The Deadliest Race on Earth: Isle of Man TT
STAT News
Director · DP · Editor
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14
Music in the Brain: Charles Limb
Kennedy Center
Director · DP · 3D Motion Graphics
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15
What's Next?
STAT News · Dana-Farber
Director · DP · Editor
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16
How to Restore a Sequoia Grove
Save the Redwoods League
Director · DP · Editor
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17
Skydio: Asimov Release
Skydio · Product Launch
Director · Editor
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18
F**k History
Netflix · Episodic Series
Director · Producer · Animator
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19
In Event of Moon DisasterEmmy Winner
MIT · Emmy Winner
Art Director · DP · Motion Graphics
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20
Missiles on Our LandPOY Finalist
Princeton · Columbia J-School · Scientific American
Web Design & Build · Motion Graphics
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21
Feng Zhang Explains CRISPR
STAT News
Director · DP · Animator
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22
Huntington's Disease Explained
STAT News
Researcher · Designer · Animator
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23
From Car Part to Gold Mine
Scientific American
Director · Designer · Animator
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24
Skydio: Isometrics
Skydio · Motion Graphics
Design · 3D · Motion Graphics
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25
Under the Ghost
Snapchat DISCOVER
Producer · Editor · Vertical Series
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26
Revive the Range
Save the Redwoods League
Director · DP · Editor
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27
From Mill Site to Land Return: The Story of 'O Rew
Save the Redwoods League
Director · DP · Editor
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28
Russian River Redwoods
Save the Redwoods League
Director · DP · Editor
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29
Sam Hodder: 11 Years of Impact
Save the Redwoods League
Director · Editor
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30
Save the Giant Sequoias
Save the Redwoods League
Director · DP · Editor
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31
Mother's Milk Bank California
50th Anniversary
Director · DP · Editor
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32
Global Arts LA
Music Education
Director · DP · Editor
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33
PBS NEXT: Title Sequence
PBS · Kennedy Center
Director · Motion Graphics
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34
Skydio F10 Lightrunner + MegaDock
Skydio · Product Launch
Director · DP · Editor
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35
Lawmatics Brand Video
Lawmatics · Motion Graphics Explainer
Director · Designer · Animator
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36
Skydio R10
Skydio · Launch
Director · DP · Editor
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37
Skydio: Fall Release 2023
Skydio · Product Launch
Director · Aerial DP · Editor
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38
GORUCK: The Ballistic Breakdown
GORUCK · Product Film
Director · DP · Editor
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39
Memorial 9/11 GORUCK Challenges
GORUCK · Documentary
Director · DP · Editor
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40
GORUCK Selection
24hr Endurance Event
Director · DP · Editor
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41
Hipcamp: Family
Commercial · Brand Campaign
Director · DP · Editor
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42
Falcons Haloboard Fanchant
Atlanta Falcons
Director · Animator
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43
JWT Atlanta
Agency Manifesto
Director · DP · Aerial · Editor
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44
Virgin Galactic: Iris Reveal
Logo Sting
Motion Graphics · C4D · After Effects
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45
Jewett: Here's Where
Recruitment Video
Director · DP · Editor
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46
Slow Rollers: A Guide to Norway
Self-Funded Documentary
Director · DP · Editor
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47
Endless Coast
Documentary · In Production
Director · DP · Editor
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48
Last Stand of the Giants
Feature Documentary
Director · Producer
Websites and tools
I also make
the websites.
I was a front-end developer before I was a filmmaker, and I never quite stopped. I designed every one of these, and built the tools.
- 01 The Missiles on Our Land An investigation into America's land-based nuclear missiles for Princeton, Columbia Journalism School and Scientific American. Read it, watch it, listen to it, or get lost in the data. It made the Sigma Awards shortlist and the Pictures of the Year finals. missilesonourland.org ↗
- 02 Smith Robinson My company's site: a VHS tape for a preloader, a giant sequoia you scroll your way through, and a point-and-click adventure game hiding in the footer. Possibly too much. Definitely fun. smithrobinson.org ↗
- 03 The Ride to Rio Four friends (five, by Panama), thirteen countries and 10,000 miles by bike from Los Angeles to Rio. The site follows the whole route on a map, with the film waiting at the end. ridetorio.com ↗
- 04 Endless Coast Andy and me, about 500 miles on electric skateboards from San Francisco to Santa Monica at the end of 2020, with no chase vehicle. The site is synthwave tech noir: a 3D coastline floating in a starfield, a route that lights up as you scroll, and a motto I stand by: ride, eat, look for outlets. endlesscoastmovie.com ↗
- 05 Jeff DelViscio A portfolio for Scientific American's Chief Multimedia Editor and two-time Emmy winner. Twenty years of newsroom work, made easy to scroll through. jeff-del.com ↗
- 06 DISKO Tool A local-first media asset manager for video people, with face recognition and semantic search. I designed and built it. disko.media ↗
- 07 E3D Bridge Tool A Blender extension that exports scenes as an Element 3D-ready package for After Effects. Built because I needed it. Blender extension
- 08 Extreme Music The production-music library's site, the 2010 version, from my front-end days: chrome robots, a waveform track player, a news box spelled NEWZ and a tab called TRUMPET BLOWIN'. It was a different time. Today's site isn't mine and the old one ran on Flash, so you'll have to take my word for it. extrememusic.com · c. 2010
- 09 VH1 Where it all started: designing for VH1.com around 2008, when the homepage was Miss Rap Supreme, I Love the '80s 3-D and a show called Celebracadabra. The Internet Archive kept a copy, which is either a lovely thing or evidence. vh1.com · c. 2008 ↗
Awards
Some very
kind juries.
People with clipboards who, against the odds, liked the work.
- 2022 Emmy Award · Winner Outstanding Interactive MediaArt Director · DP · Motion Graphics In Event of Moon Disaster
- 2023 Telly Award · Winner Creative Art DirectionCreative Director Scientific American · The Carbon Cage
- 2023 Emmy Nomination Best Science DocumentaryProducer · Co-editor PBS NOVA · Augmented
- 2022 Emmy Nomination Outstanding Art DirectionDirector · Animator · Editor · Original Music The New York Times · Who Gets a Ventilator?
- 2022 Webby Honoree Sustainability FilmDirector · DP · Editor Guardians
- 2022 Pulitzer Center · Grant Reporting GrantDirector · Producer · DP · Editor Scientific American · Drones
- 2024 Pictures of the Year · Finalist Documentary JournalismWeb Design & Build · Motion Graphics Missiles on Our Land
- 2024 Sigma Award · Shortlist Best Data JournalismWeb Design & Build · Motion Graphics Missiles on Our Land
- 2019 Online Journalism Award Explanatory ReportingWriter · Director · Producer · Designer · Animator CRISPR Explained
- 2019 Doclands · Official Selection Best Documentary Augmented · STAT News
Clients
Good
company.
The people who let me loose on their stories, then showed them to an awful lot of people.
- PBS NOVA
- PBS NewsHour
- The New York Times
- Pulitzer Center
- Scientific American
- STAT News
- Inside Climate News
- The Kennedy Center
- Netflix
- Cartoon Network
- a16z
- Snap Inc.
- Skydio
- GORUCK
- Save the Redwoods
I've worked for editors at the Pulitzer Center, PBS NewsHour and the New York Times Opinion desk, people who will cheerfully ruin your afternoon over one wrong fact, and for brands who help pay for the journalism. I like both. I just don't let one wander into the other.
About
The Multimedia
MacGyver.
Filmmaker · Editor · Designer · Front-End Developer · Motion
I never could pick just one thing.
I went to film school, then started out as a graphic designer at VH1. From there I drifted into web development and became the sort of person who has strong opinions about CSS (I still do; please don't ask). In 2014 I swung back round to video, and that's been the main event ever since: Emmy-winning documentaries, animation and brand films for The New York Times, PBS NOVA, Scientific American, Snapchat and Skydio, mostly about things that are hard to see, like AI, medicine and very old trees.
I co-founded Smith Robinson, my multimedia studio, and was art director, cinematographer and motion-graphics artist on the Emmy-winning "In Event of Moon Disaster", a deepfake of Nixon we made with MIT to warn people about synthetic media before everyone's uncle was sharing it. I've directed Emmy-nominated films for The New York Times and Scientific American, led the Times' COVID-19 ventilator-triage coverage, and pointed cameras at self-flying robots in active wildfire zones and on military sites.
The useful thing about having done all the jobs is that nothing gets lost in translation. The person who shot the film also animated the diagrams, wrote the music and designed the website, so the whole thing looks and feels like one idea instead of five vendors and a group email. And when a project is too big for one person, I've built production teams from scratch, three times: freelancers, post pipelines and all the unglamorous plumbing that gets things finished.
When I'm not working, I'm usually out doing something slightly ridiculous with a camera along for the ride. I've cycled across the United States, then from Los Angeles all the way to Rio de Janeiro (ridetorio.com, which, naturally, I also designed). I tried to rollerski across Norway, which became Slow Rollers up in the work section, and rode an electric skateboard down the Pacific coast during the pandemic (that's Endless Coast). The rest of the time I'm kiteboarding, skateboarding, playing piano, or raising two daughters, which is its own kind of expedition, with less sleep.
- Premiere Pro
- After Effects
- DaVinci Resolve
- Cinema 4D
- Unreal Engine 5
- Blender / Maya
- RED & Arri
- Drone · Skydio / DJI
- Color & Sound
- Generative AI
- Web Design
- HTML / CSS / JS
- React
- Team Leadership
The CV bit: from VH1 graphics to robots that fly themselves
Launch films and video strategy for drones that fly themselves, across social, web and live events. Field shoots in active wildfire zones, on military sites and around critical infrastructure. Six-figure budgets, a small team and a great many airports.
Co-founded an Emmy-winning multimedia studio with a weakness for expeditions. Art director, cinematographer and motion-graphics artist on "In Event of Moon Disaster" with MIT. Directed Emmy-nominated science films for The New York Times, Scientific American and Cartoon Network. Also designs the websites, ours and other people's.
Emmy-nominated documentaries, interactive explainers and data visualizations, made alongside investigative reporters. Built the desk's visual-identity standards.
Video for Discover, Spectacles and Snapcash, from first idea to global release, plus motion-graphics campaigns for teams inside and outside the company. Vertical video, before everybody was doing it.
Started out as a graphic designer at VH1, then moved into web development and front-end design, which is where I got properly good at CSS (and designed the 2010 Extreme Music site). Plus daily live-broadcast art direction, on-air motion packages and show identities for Paramount, Disney and VH1.
University of North Carolina School of the Arts, School of Filmmaking. The one entirely sensible decision on this list.
Contact
Got something
that needs
making?
Open to full-time creative and editing roles in the Pacific Northwest or remote, and project work through Smith Robinson.
dfpsmith@gmail.com