I make films about hard-to-film things: AI, science, robots and wild places. I direct, shoot, cut, animate and score them, then build the websites and tools they live on.

Emmy-winning work for The New York Times, PBS NOVA, Scientific American, Snapchat and Skydio. Equally happy in a wildfire zone, an edit suite at 2am, or a stylesheet that's being difficult.

01The brief

The whole film,
one person.

Most projects need six specialists and a meeting. This is the other option.

Most projects need a director, a shooter, an editor, an animator, a composer and someone to make the website, plus a meeting so they can all disagree. I never could pick one of those jobs, so I learned them all. It sounds like a boast; it's more of a confession. But it means the film, the graphics and the website feel like one person made them, because one did.

  1. 01 / 06

    Story first

    I care about the story more than anything else, and a few Emmy, Telly and Webby juries seem to agree. Gene editing, giant trees, nuclear silos: whatever the subject, I want it clear, true and worth somebody's evening.

    ↳ Documentary & journalism
  2. 02 / 06

    The camera

    Explosive-disposal fields, kelp forests, fire-scarred groves, rooftop gigs and broadcast studios. I've filmed in most places a camera can go, and a few where it probably shouldn't.

    ↳ Cinematography & field production
  3. 03 / 06

    Motion & music

    CRISPR, Huntington's, stolen catalytic converters and 3D cities in Unreal. If it's too small, too big or too abstract to film, I animate it, and quite often write the music too.

    ↳ Animation, 3D & original scores
  4. 04 / 06

    Websites

    Before films, I spent years as a front-end developer, and I never really stopped. I design the sites my stories end up living on, from a nuclear-missile investigation to a bike documentary with its own map. Good CSS is one of life's small, private joys.

    ↳ Web design & front-end
  5. 05 / 06

    Crews & teams

    I grew a two-person shop into a roster of producers, shooters and animators across a few continents. My management style: hire people who are better than me, then mostly stay out of their way.

    ↳ Teams, freelancers & post
  6. 06 / 06

    Paying for it

    Brand films for Skydio, GORUCK and Hipcamp pay the bills; the journalism keeps me honest. I've done plenty of both, and I know exactly where the line between them sits.

    ↳ Brand & commercial work
20Years of
making things
10Awards, give or
take a shortlist
40+Films finished
(the hard part)
7Websites
I've designed
02

Selected work

The Evidence.

Every film here was directed, shot, cut, scored or animated by me, often all five at once. Tap a title for the story behind it.

  1. 02 NOVA: Augmented still NOVA: AugmentedEmmy Nominee PBS NOVA · Emmy Nominee Producer · Co-Editor · Co-DP · Motion Graphics
  2. 03 Who Gets a Ventilator? still Who Gets a Ventilator?Emmy Nominee The New York Times · Emmy Nominee Director · Animator · Editor · Original Music
  3. 04 The Carbon Cage still The Carbon CageTelly Winner Scientific American · Telly Winner Director · Art Direction · Animation · Original Music
  4. 05 Guardians still GuardiansWebby Honoree Webby Honoree · Sustainability Director · DP · Editor
  5. 06 Drones Hunting Landmines still Drones Hunting LandminesPulitzer Grant Pulitzer Center · Scientific American Director · Producer · DP · Editor
  6. 07 a16z Bio + Health Series still a16z Bio + Health Series a16z · Video Podcast Post Supervisor · Editor · Motion Designer
  7. 08 PBS NewsHour: Clearing the Path still PBS NewsHour: Clearing the Path PBS NewsHour · Pulitzer Center Director · Producer · DP · Editor
  8. 09 The Vanishing Forest still The Vanishing Forest Pulitzer Center Director · DP · Editor
  9. 10 Good Fire still Good Fire Inside Climate News Director · DP · Editor
  10. 11 CRISPR Explained still CRISPR ExplainedOJA · Explanatory STAT News · OJA Writer · Director · Producer · Designer · Animator
  11. 12 Why Do Some Health Care Workers Live in Poverty? still Why Do Some Health Care Workers Live in Poverty? NYT Opinion Director · DP · Editor
  12. 13 The Deadliest Race on Earth: Isle of Man TT still The Deadliest Race on Earth: Isle of Man TT STAT News Director · DP · Editor
  13. 14 Music in the Brain: Charles Limb still Music in the Brain: Charles Limb Kennedy Center Director · DP · 3D Motion Graphics
  14. 15 What's Next? still What's Next? STAT News · Dana-Farber Director · DP · Editor
  15. 16 How to Restore a Sequoia Grove still How to Restore a Sequoia Grove Save the Redwoods League Director · DP · Editor
  16. 17 Skydio: Asimov Release still Skydio: Asimov Release Skydio · Product Launch Director · Editor
  17. 18 F**k History still F**k History Netflix · Episodic Series Director · Producer · Animator
  18. 19 In Event of Moon Disaster still In Event of Moon DisasterEmmy Winner MIT · Emmy Winner Art Director · DP · Motion Graphics
  19. 20 Missiles on Our Land still Missiles on Our LandPOY Finalist Princeton · Columbia J-School · Scientific American Web Design & Build · Motion Graphics
  20. 21 Feng Zhang Explains CRISPR still Feng Zhang Explains CRISPR STAT News Director · DP · Animator
  21. 22 Huntington's Disease Explained still Huntington's Disease Explained STAT News Researcher · Designer · Animator
  22. 23 From Car Part to Gold Mine still From Car Part to Gold Mine Scientific American Director · Designer · Animator
  23. 24 Skydio: Isometrics still Skydio: Isometrics Skydio · Motion Graphics Design · 3D · Motion Graphics
  24. 25 Under the Ghost still Under the Ghost Snapchat DISCOVER Producer · Editor · Vertical Series
  25. 26 Revive the Range still Revive the Range Save the Redwoods League Director · DP · Editor
  26. 27 From Mill Site to Land Return: The Story of 'O Rew still From Mill Site to Land Return: The Story of 'O Rew Save the Redwoods League Director · DP · Editor
  27. 28 Russian River Redwoods still Russian River Redwoods Save the Redwoods League Director · DP · Editor
  28. 29 Sam Hodder: 11 Years of Impact still Sam Hodder: 11 Years of Impact Save the Redwoods League Director · Editor
  29. 30 Save the Giant Sequoias still Save the Giant Sequoias Save the Redwoods League Director · DP · Editor
  30. 31 Mother's Milk Bank California still Mother's Milk Bank California 50th Anniversary Director · DP · Editor
  31. 32 Global Arts LA still Global Arts LA Music Education Director · DP · Editor
  32. 33 PBS NEXT: Title Sequence still PBS NEXT: Title Sequence PBS · Kennedy Center Director · Motion Graphics
  33. 34 Skydio F10 Lightrunner + MegaDock still Skydio F10 Lightrunner + MegaDock Skydio · Product Launch Director · DP · Editor
  34. 35 Lawmatics Brand Video still Lawmatics Brand Video Lawmatics · Motion Graphics Explainer Director · Designer · Animator
  35. 36 Skydio R10 still Skydio R10 Skydio · Launch Director · DP · Editor
  36. 37 Skydio: Fall Release 2023 still Skydio: Fall Release 2023 Skydio · Product Launch Director · Aerial DP · Editor
  37. 38 GORUCK: The Ballistic Breakdown still GORUCK: The Ballistic Breakdown GORUCK · Product Film Director · DP · Editor
  38. 39 Memorial 9/11 GORUCK Challenges still Memorial 9/11 GORUCK Challenges GORUCK · Documentary Director · DP · Editor
  39. 40 GORUCK Selection still GORUCK Selection 24hr Endurance Event Director · DP · Editor
  40. 41 Hipcamp: Family still Hipcamp: Family Commercial · Brand Campaign Director · DP · Editor
  41. 42 Falcons Haloboard Fanchant still Falcons Haloboard Fanchant Atlanta Falcons Director · Animator
  42. 43 JWT Atlanta still JWT Atlanta Agency Manifesto Director · DP · Aerial · Editor
  43. 44 Virgin Galactic: Iris Reveal still Virgin Galactic: Iris Reveal Logo Sting Motion Graphics · C4D · After Effects
  44. 45 Jewett: Here's Where still Jewett: Here's Where Recruitment Video Director · DP · Editor
  45. 46 Slow Rollers: A Guide to Norway still Slow Rollers: A Guide to Norway Self-Funded Documentary Director · DP · Editor
  46. 47 Endless Coast still Endless Coast Documentary · In Production Director · DP · Editor
  47. 48 Last Stand of the Giants still Last Stand of the Giants Feature Documentary Director · Producer
03

Websites and tools

I also make
the websites.

I was a front-end developer before I was a filmmaker, and I never quite stopped. I designed every one of these, and built the tools.

  1. 01 The Missiles on Our Land An investigation into America's land-based nuclear missiles for Princeton, Columbia Journalism School and Scientific American. Read it, watch it, listen to it, or get lost in the data. It made the Sigma Awards shortlist and the Pictures of the Year finals. missilesonourland.org ↗
  2. 02 Smith Robinson My company's site: a VHS tape for a preloader, a giant sequoia you scroll your way through, and a point-and-click adventure game hiding in the footer. Possibly too much. Definitely fun. smithrobinson.org ↗
  3. 03 The Ride to Rio Four friends (five, by Panama), thirteen countries and 10,000 miles by bike from Los Angeles to Rio. The site follows the whole route on a map, with the film waiting at the end. ridetorio.com ↗
  4. 04 Endless Coast Andy and me, about 500 miles on electric skateboards from San Francisco to Santa Monica at the end of 2020, with no chase vehicle. The site is synthwave tech noir: a 3D coastline floating in a starfield, a route that lights up as you scroll, and a motto I stand by: ride, eat, look for outlets. endlesscoastmovie.com ↗
  5. 05 Jeff DelViscio A portfolio for Scientific American's Chief Multimedia Editor and two-time Emmy winner. Twenty years of newsroom work, made easy to scroll through. jeff-del.com ↗
  6. 06 DISKO Tool A local-first media asset manager for video people, with face recognition and semantic search. I designed and built it. disko.media ↗
  7. 07 E3D Bridge Tool A Blender extension that exports scenes as an Element 3D-ready package for After Effects. Built because I needed it. Blender extension
  8. 08 Extreme Music The production-music library's site, the 2010 version, from my front-end days: chrome robots, a waveform track player, a news box spelled NEWZ and a tab called TRUMPET BLOWIN'. It was a different time. Today's site isn't mine and the old one ran on Flash, so you'll have to take my word for it. extrememusic.com · c. 2010
  9. 09 VH1 Where it all started: designing for VH1.com around 2008, when the homepage was Miss Rap Supreme, I Love the '80s 3-D and a show called Celebracadabra. The Internet Archive kept a copy, which is either a lovely thing or evidence. vh1.com · c. 2008 ↗
04

Awards

Some very
kind juries.

People with clipboards who, against the odds, liked the work.

  1. 2022 Emmy Award · Winner Outstanding Interactive MediaArt Director · DP · Motion Graphics In Event of Moon Disaster
  2. 2023 Telly Award · Winner Creative Art DirectionCreative Director Scientific American · The Carbon Cage
  3. 2023 Emmy Nomination Best Science DocumentaryProducer · Co-editor PBS NOVA · Augmented
  4. 2022 Emmy Nomination Outstanding Art DirectionDirector · Animator · Editor · Original Music The New York Times · Who Gets a Ventilator?
  5. 2022 Webby Honoree Sustainability FilmDirector · DP · Editor Guardians
  6. 2022 Pulitzer Center · Grant Reporting GrantDirector · Producer · DP · Editor Scientific American · Drones
  7. 2024 Pictures of the Year · Finalist Documentary JournalismWeb Design & Build · Motion Graphics Missiles on Our Land
  8. 2024 Sigma Award · Shortlist Best Data JournalismWeb Design & Build · Motion Graphics Missiles on Our Land
  9. 2019 Online Journalism Award Explanatory ReportingWriter · Director · Producer · Designer · Animator CRISPR Explained
  10. 2019 Doclands · Official Selection Best Documentary Augmented · STAT News
05

Clients

Good
company.

The people who let me loose on their stories, then showed them to an awful lot of people.

  • PBS NOVA
  • PBS NewsHour
  • The New York Times
  • Pulitzer Center
  • Scientific American
  • STAT News
  • Inside Climate News
  • The Kennedy Center
  • Netflix
  • Cartoon Network
  • a16z
  • Snap Inc.
  • Skydio
  • GORUCK
  • Save the Redwoods

I've worked for editors at the Pulitzer Center, PBS NewsHour and the New York Times Opinion desk, people who will cheerfully ruin your afternoon over one wrong fact, and for brands who help pay for the journalism. I like both. I just don't let one wander into the other.

06

About

The Multimedia
MacGyver.

Filmmaker · Editor · Designer · Front-End Developer · Motion

Dominic Smith on location
Dominic Smith · On location

I never could pick just one thing.

I went to film school, then started out as a graphic designer at VH1. From there I drifted into web development and became the sort of person who has strong opinions about CSS (I still do; please don't ask). In 2014 I swung back round to video, and that's been the main event ever since: Emmy-winning documentaries, animation and brand films for The New York Times, PBS NOVA, Scientific American, Snapchat and Skydio, mostly about things that are hard to see, like AI, medicine and very old trees.

I co-founded Smith Robinson, my multimedia studio, and was art director, cinematographer and motion-graphics artist on the Emmy-winning "In Event of Moon Disaster", a deepfake of Nixon we made with MIT to warn people about synthetic media before everyone's uncle was sharing it. I've directed Emmy-nominated films for The New York Times and Scientific American, led the Times' COVID-19 ventilator-triage coverage, and pointed cameras at self-flying robots in active wildfire zones and on military sites.

The useful thing about having done all the jobs is that nothing gets lost in translation. The person who shot the film also animated the diagrams, wrote the music and designed the website, so the whole thing looks and feels like one idea instead of five vendors and a group email. And when a project is too big for one person, I've built production teams from scratch, three times: freelancers, post pipelines and all the unglamorous plumbing that gets things finished.

When I'm not working, I'm usually out doing something slightly ridiculous with a camera along for the ride. I've cycled across the United States, then from Los Angeles all the way to Rio de Janeiro (ridetorio.com, which, naturally, I also designed). I tried to rollerski across Norway, which became Slow Rollers up in the work section, and rode an electric skateboard down the Pacific coast during the pandemic (that's Endless Coast). The rest of the time I'm kiteboarding, skateboarding, playing piano, or raising two daughters, which is its own kind of expedition, with less sleep.

  • Premiere Pro
  • After Effects
  • DaVinci Resolve
  • Cinema 4D
  • Unreal Engine 5
  • Blender / Maya
  • RED & Arri
  • Drone · Skydio / DJI
  • Color & Sound
  • Generative AI
  • Web Design
  • HTML / CSS / JS
  • React
  • Team Leadership

The CV bit: from VH1 graphics to robots that fly themselves

2022 to now
Senior Video DirectorSkydio

Launch films and video strategy for drones that fly themselves, across social, web and live events. Field shoots in active wildfire zones, on military sites and around critical infrastructure. Six-figure budgets, a small team and a great many airports.

2019 to now
Creative Director · Co-FounderSmith Robinson Multimedia

Co-founded an Emmy-winning multimedia studio with a weakness for expeditions. Art director, cinematographer and motion-graphics artist on "In Event of Moon Disaster" with MIT. Directed Emmy-nominated science films for The New York Times, Scientific American and Cartoon Network. Also designs the websites, ours and other people's.

2016 to 2019
Lead Video ProducerSTAT News

Emmy-nominated documentaries, interactive explainers and data visualizations, made alongside investigative reporters. Built the desk's visual-identity standards.

2014 to 2016
Senior Video ProducerSnapchat

Video for Discover, Spectacles and Snapcash, from first idea to global release, plus motion-graphics campaigns for teams inside and outside the company. Vertical video, before everybody was doing it.

2006 to 2014
Designer · Front-End Developer · Art DirectorVH1 · Extreme Music · Bitesize TV

Started out as a graphic designer at VH1, then moved into web development and front-end design, which is where I got properly good at CSS (and designed the 2010 Extreme Music site). Plus daily live-broadcast art direction, on-air motion packages and show identities for Paramount, Disney and VH1.

2003
BFA, FilmmakingUNCSA

University of North Carolina School of the Arts, School of Filmmaking. The one entirely sensible decision on this list.

07

Contact

Got something
that needs
making?

Open to full-time creative and editing roles in the Pacific Northwest or remote, and project work through Smith Robinson.